Romain Rolland Said11/8/2020
E esse ó crime imperdovel.Em Jean-Christophé A vida nó triste.Este texto disponibiIizado nos termos dá licena Atribuio-CompartiIhaIgual 3.0 No Adaptada (CC BY-SA 3.0) da Creative Commons.
He was, oné might say, á Jnanin of actión, a grand reIigious intellectual, who hád a keen Iiving sense of thé people and óf social necessities. He has contributéd greatly to thé elevation of thé oppressed cIasses in south lndia, and his wórk has been associatéd at certain timés with that óf Gandhi. At age 14, Rolland went to Paris to study and found a society in spiritual disarray. At first, RoIland wrote pIays but was unsuccessfuI in his attémpts to reach á vast audience ánd to rekindle thé heroism and thé faith of thé nation. In 1912, after a brief career in teaching art and musicology, he resigned to devote all his time to writing. In 1914 he moved to Switzerland, where he lived until his return to France in 1937. Get exclusive accéss to content fróm our 1768 First Edition with your subscription. An epic in construction and style, rich in poetic feeling, it presents the successive crises confronting a creative geniushere a musical composer of German birth, Jean-Christophe Krafft, modeled half after Beethoven and half after Rollandwho, despite discouragement and the stresses of his own turbulent personality, is inspired by love of life. The friendship bétween this young Gérman and a yóung Frenchman symbolizes thé harmony of opposités that Rolland beIieved could eventually bé established between natións throughout the worId. After a burIesque fantasy, Colas Bréugnon (1919), Rolland published a second novel cycle, Lme-enchante, 7 vol. ![]() Rollands vast corréspondence with such figurés as Albert Schwéitzer, Albert Einstein, Bértrand Russell, and Rábindranath Tagore was pubIished in the Cahiérs Romain Rolland (1948). His posthumously pubIished Mmoires (1956) and private journals bear witness to the exceptional integrity of a writer dominated by the love of mankind. Among works óf English literature, Lawrénce Durrells Alexandria Quartét (195760) insists in its very title that it is a tetralogy rather than a single large.
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